Schilke Cornet Mouthpiece
[MPCornet Sch]

Description

Small cup diameter, aids the upper register. A popular piccolo mouthpiece, and available only in cornet shank.

Developed for Bill Chase. A small shallow "A" cup with cushion #4 rim for extremely high register work.

(Formerly Model "K") Excellent for the player with thin lips. A #4 rim provides good endurance with a brilliant tone.

The slightly funnel shaped cup at the entrance to the throat provides a good tone and the #4 flat rim gives superior endurance.

A deep funnel-shaped cup provides a mellow sound, very flexible in all registers.

(Formerly Model "B") Designed for Edward B. Lewellyn, former principal trumpet player of the Chicago Symphony. Standard characteristics allow for full penetrating tone quality.

Like the #9, however the #4 semi-flat rim provides excellent endurance.

The combination of the shallow "A": cup, semi-flat #4 rim and tight "a" backbore aids an extremely high register. An ideal piccolo mouthpiece, available only in cornet shank.

Same as the above 10A4a, but with a standard "c" backbore. Only available in cornet shank.

A medium-small funnel shaped B cup makes for a good sound and additional support in the upper register.

An excellent piccolo trumpet mouthpiece. Rim size and contour similar to the #11, but with a shallow "A" cup.

This model has been developed for the Schilke piccolo trumpet. The 'x' backbore both improves the ease of playing and opens up the sound for our piccolo trumpets. This model is available as a standard mouthpiece only in cornet shank.

Similar to the #11 featuring a slightly rounded #2 rim contour.

(Formerly model "H") A superior mouthpiece with average standard characteristics for free blowing.

Slightly deeper than the 11 with a #4 semi-flat rim, providing a definite cushion feel for endurance.

The large funnel-shaped cup encourages a big round tone, ideal for cornet.

Similar to the #12B4 but with a shallow "A" cup, tight "a" backbore, adding both endurance and range.

Same as above, but with a larger standard "c" backbore.

The medium-small conical "B" cup provides a full tone and the #4 semi-flat rim allows for more endurance. excellent for modern jazz.

(Formerly Model "J") With the standard medium characteristics of the "C" cup, #3 rim and "c" backbore, this mouthpiece produces a brilliance sought by the studio player.

Shallow "A" cup, semi-flat #4 rim and tight "a" backbore. An ideal trumpet mouthpiece for playing lead. [ Formerly the Mike Vax model until he bacame a Yamaha Artist --ed.]

Same as above, except of the standard "c" backbore that makes it a freer blowing mouthpiece.

Has a "B" cup slightly deeper than the above and a narrow rounded rim, used by Frank Lisanti.

A somewhat sharp inner-edge combined with a funnel-shaped "C" cup insures good clear tone and the #4 semi-flat rim adds to endurance.

Developed for Forrest Buchtel, formerly with the Woody Herman Band, the shallow "A" cup, semi-flat #4 rim and tight "a" backbore permits a good upper register with a large tone.

Same as above except for a more open standard "c" backbore

Based on the popular 14A4a and 14A4, this mouthpiece was also developed for use with our piccolo trumpets. The 'x' backbore both improves the ease of playing and opens up the sound for our piccolo trumpets. This also is available as a standard mouthpiece only with the cornet shank.

Similar to the #14 but with a "B" medium-small, shallow cup.

(Formerly the Model "V") With a standard "C" cup and semi-rounded #2 rim. This mouthpiece produces a rather large tone with a good center.

All the Schilke standard characteristics make this an excellent mouthpiece for the legitimate musician to produce a full orchestral quality.

Corresponds to the #15C4 but with a shallow "A" cup and tight "a" backbore for extreme upper register playing.

Same as the above but with a more open free blowing "c" backbore.

Same as the #15 except the shallower medium-small "B" cup produces a brighter quality of sound.

An excellent mouthpiece with Schilke average standard characteristics for free blowing and all-around playing.

Similar to the above #15. The semi-flat #4 rim provides for greater endurance.

(Formerly Model "S") Has a definite "bite" on the inner edge of the #2 semi-round rim, permitting greater flexibility.

(Formerly Model "W") With all the standard characteristics, this medium-large diameter mouthpiece produces a full free blowing quality.

The bowl-cup and the #4 semi-flat rim has proven a comfortable cornet mouthpiece. Now available again in both trumpet and cornet shank.

A compromise of all the medium characteristics, this is an excellent medium-large diameter mouthpiece.

Similar to the #17 with a "D" medium large cup and #4 semi-flat cushion rim.

Same as above, with a slight curved-out "d" backbore.

(Formerly Model "R") The high point of the rim being nearer the center makes this mouthpiece feel much smaller. The standard characteristics produce a rich brilliant tone.

Similar to the #18 model but with a large "d" backbore, producing an even larger more "Teutonic" sound.

The "C" cup, #3 rim and standard "c" backbore are similar to the #20 model but has slightly smaller diameter.

(Formerly Model "R10") This large diameter is for the robust embouchure. Used by the symphony orchestra player.

Designed for Georges Mager, formerly principal trumpet with the Boston Symphony. Like the #20 except a medium large deep cup, #2 semi-round rim, and a "d" slightly curved backbore.

(Formerly Model "R20") Like the model #20 with a slightly larger cup diameter, producing a somewhat greater potential in sound.

(Formerly Model "R30) Extra large cup diameter for the well trained trumpeter. Provides a huge volume of tone